Videos ? Latest ? Feature ? Sports ? Your Videos
 

Is there a future for water-ink animation?

0 Comment(s)Print E-mail CNTV, March 20, 2012
Adjust font size:

 

The ongoing exhibition on the development of China's comics and animation industry shows a lot of animation works from recent years. But few of them have made much of an impact on the international stage. Instead, water-ink animation films made in 1960s and 70s are still regarded as the high-water mark of Chinese animation. Why doesn't modern animation measure up to these old classics?

Still of "Little Tadpole Looks for Mamma" 



China may be producing more animation than ever before, but people still look back to the old water-ink films as a golden age.

"Little Tadpole Looks for Mamma" was China's first water-ink animation. Its inspiration came from the fish and shrimp figures drawn by the legendary painter Qi Baishi. The movie won a lot of international awards and the period saw a number of classics including Cricket Fighting by Ji Gong and Fishing Child. But high quality didn't come with high quantity, and the output was low back in those years.

Cai Zhijun, executive deputy secretary-genreal of China Animation Assoc., said, "The yearly output of animation films in those years was about 10 or 20 minutes, and audiences had few choices. But in recent years, the yearly output has exceeded two million minutes."

It takes one to two years to produce a water-ink movie. These complicated and time-consuming production techniques were gradually abandoned by the modern animation industry, as higher profits became top priority.

Cai Zhijun said, "Some animations may be great works, but they can't be further developed. For an animation film, screening the picture is not enough. The derivative products are more important."

Still of water-ink animation film



The film itself accounts for only one third of the total profits from an animated production. Derived products make up a much larger part. Advanced technology reduced the cost and time of the animation process, and this meant the end of water-ink animation films. But as far as many animation fans are concerned, water-ink is still the high point of Chinese animation. If this level of artistic quality could be made commercially viable, it could mark the beginning of a new chapter in the industry's development.

 

Print E-mail Bookmark and Share

Go to Forum >>0 Comment(s)

No comments.

Add your comments...

  • User Name Required
  • Your Comment
  • Racist, abusive and off-topic comments may be removed by the moderator.
Send your storiesGet more from China.org.cnMobileRSSNewsletter
主站蜘蛛池模板: 日本黄色小视频在线观看| 波多野结衣教师6| 国产在线观看精品一区二区三区91 | 91网站免费观看| 国产精品热久久| 99久久综合狠狠综合久久| 好吊妞788gaoc视频免费| 另类图片亚洲校园小说区| 国产亚洲欧美在在线人成| 国产精品爽爽va在线观看无码| ass日本大乳pics| 妈妈的柔润小说在线阅读| 中文字幕66页| 无码人妻丰满熟妇区五十路百度 | 免费一级毛片无毒不卡| 久久综合九色综合欧美就去吻| 性欧美xxxx| 久久久久国产精品免费网站| 日韩精品专区在线影院重磅| 亚洲人成在线观看| 欧美性69式xxxx护士| 亚洲欧美日韩成人一区在线| 色哟哟精品视频在线观看| 国产在线无码精品无码| 好吊色永久免费视频大全| 国产精品18久久久久久麻辣| silk131中字在线观看| 成人精品一区二区三区中文字幕 | 污网站免费观看污网站| 交换美妇94系列部分| 男女做性猛烈叫床视频免费 | 国产一区二区三区在线观看免费 | 精品国产人成亚洲区| 台湾一级淫片高清视频| 老师的被到爽羞羞漫画| 国产三级a三级三级| 蜜桃97爱成人| 国产一区在线视频| 老汉色老汉首页a亚洲| 国产111111在线观看| 老师…好紧开裆蕾丝内裤|