Population: 1,858,063

Major area of distribution: Yunnan and Guizhou

Language: Bai

Religion: Buddhism

Of the 1,858,063 Bai people, 80 percent live in concentrated communities in the Dali Bai Autonomous Prefecture in Yunnan Province, southwest China. The rest are scattered in Xichang and Bijie in neighboring Sichuan and Guizhou provinces respectively.

The Bais speak a language related to the Yi branch of the Tibetan-Myanmese group of the Chinese-Tibetan language family. The language contains a large number of Chinese words due to the Bais' long contact with the majority Chinese ethnic group – Han.

Situated on the Yunnan-Guizhou Plateau, the Bai area is crisscrossed with rivers, of which the major ones are the Lancang, the Nujiang and the Jinsha. The river valleys, dense forests and vast tracts of land form a beautiful landscape and provide an abundance of crops and fruits. The area around Lake Erhai in the autonomous prefecture is blessed with a mild climate and fertile land yielding two crops a year. Here, the main crops are rice, winter wheat, beans, millet, cotton, rape, sugar-cane and tobacco. The forests have valuable stocks of timber, herbs of medicinal value and rare animals. Mt. Diancang by Lake Erhai contains a rich deposit of the famous Yunnan marble, which is basically pure white with veins of red, light blue, green and milky yellow. It is treasured as building material as well as for carving.

Culture and folklore

Over the centuries, the Bais have created a science and culture of their own. Agriculture was dominant in the Erhai area as early as the Neolithic Age. People then knew how to dig ditches for irrigation. During the Nanzhao regime, they began the cultivation of rice, wheat, broomcorn, millet and several other crops, and built the Cangshan water-conservancy project which could bring water to tens of thousands of hectares of land. To their credit are inventions and advances in meteorology, astronomy, calendar, architecture, medical science, literature, music, dancing, carving and painting. Among the representative works of the Bai people are Transit Star Catalogue for Time Determination by the Ming Dynasty scholar Zhou Silian, Collection of Secret Prescriptions by Chen Dongtian and Tested Prescriptions by Li Xingwei. These classics recorded and summarized in detail the valuable experience of the Bai people in astronomy and medicine.

The superb architectural skill of the Bai people is represented by the three pagodas at the Chongsheng Temple in Dali. Built during the Tang Dynasty, the 16-storey main tower is 60 meters high and still stands erect after more than 1,000 years. It bears a resemblance to the Dayan Pagoda (Wild Goose) in Xi'an, an ancient Chinese capital city in today's Shaanxi Province. Figurines in the Shibaoshan Grottoes in Jianchuan County are lifelike, possessing both the common features of figure creation in China and the unique features of the Bai artists. The architectural group in the Jizushan Temple, with bow-shaped crossbeams, bracket-inserted columns, and gargoyles representing people, flowers and birds created with the open carving method, shows the excellent workmanship of the Bai people. The Bais also have high attainments in lacquerware.

They have created a wealth of literary works reflecting their life, work, and struggles against nature and oppression. The epic, Genesis, sings the praises of the communal life of Bai primitive society. Some poems by Bai poets have been included in the Complete Poems of Tang Dynasty. The History of the Bais, Anecdotes of Nanzhao and Kingdoms of Southwest China are among the best historical works written by Bai historians. They provide important data for the study of the history of the Erhai area.

The Bai people are good singers and dancers. The "Lion Dance," created during the Nanzhao regime, was appreciated in the central plains during the Tang Dynasty. Bai opera, known as chuichui, is an art form combining folk music and dancing. It has also absorbed some of the characteristics of Han operas.

The famous painting depicting the Resurgence of the Nanzhao was created in AD 899 by Bai painters Zhang Shun and Wang Fengzong. This masterpiece was stolen by foreign imperialists in 900 from Beijing.

Customs and habits

The Bais are Buddhists and worshippers of "communal god." Dotted with monasteries and temples, Dali has been known as a "Scented Wonderland." Abbots who held huge amount of land and other property in the past were big landlords and usurers. The ordinary people were heavily burdened by this caste and by religious activities which required sacrifices of cattle and other valuables.

Monogamous families have been the basic social cells of the Bais, with a very few people who practiced polygamy. Parents live with their unmarried children, but only in big landlord families did four generations live together. Before the founding of the People’s Republic of China in 1949, matches between young men and young women of the same surname or clan were not permitted, while marriages between cousins were encouraged, and were arranged by the parents. High bride prices caused many poor families to fall into debt. Women were discriminated against, and only men had the right to inherit family property. But all such feudal practices and customs have been fading away since 1949. Young people now enjoy the freedom to choose their lovers.

The "March Fair," which falls between March 15 and 20 of the lunar calendar, is a grand festival of the Bais. It is celebrated every year at the foot of the Diancang Hill to the west of Dali city. It is a fair and an occasion for sporting contests and theatrical performances. People gather there to enjoy dances, horse racing and other games. June 25 is the "Torch Festival." On that day, torches are lit everywhere to usher in a bumper harvest and to bless the people with good health and fortune. Streamers bearing auspicious words are hung in doorways and at village entrances alongside the flaming torches. Villagers, holding aloft torches, walk around in the fields to drive insects away.

(China.org.cn June 21, 2005)