--- SEARCH ---
WEATHER
CHINA
INTERNATIONAL
BUSINESS
CULTURE
GOVERNMENT
SCI-TECH
ENVIRONMENT
LIFE
PEOPLE
TRAVEL
WEEKLY REVIEW
Learning Chinese
Learn to Cook Chinese Dishes
Exchange Rates
Hotel Service


Hot Links
China Development Gateway
Chinese Embassies

Arts Show Past, Future

The Second Popular Calligraphy and Sealcutting Competition and Exhibition is under way and will run until January 2 at Beijing's Today Art Gallery.

The event has attracted 15,187 entries from calligraphy amateurs and professionals from people aged between 12 and 93 from the Chinese mainland, Hong Kong, Taiwan and Macao, as well as fans from Singapore and South Korea.

 

On display are more than 300 selected works from the hands of contestants, the 14-member judging panel and the 68 artists comprising the event's advisory board, in addition to several renowned Chinese artists upon invitation from the organizers.

 

First launched last year, the annual event is "aimed at addressing the question of how the Chinese traditional art forms such as calligraphy and sealcutting can adjust themselves to the new century," organizers say.

 

The art of Chinese calligraphy is widely considered as the nation's cultural "living fossil," which gained its position as an independent art genre with unique oriental flavour in the history of art as early as in the East Han Dynasty (AD 25-220).

 

Against the backdrop of China's economic reforms and opening up, a revival in traditional art forms, such as calligraphy since the early 1980s, has resulted in widely differing styles and variations in traditional art forms.

 

Many artists, with an eye to both traditional ideas and techniques, as well as Western concepts and artistic idioms from neighboring countries such as Japan, have tried to create their own popular calligraphy works.

 

But the experiments have also raised concerns over the integrity and artistic identity of the old art form.

 

In some ways, the emergence of diverse calligraphic and sealcutting styles over the past two decades reflects people's proactive attitude to the centuries old art forms and their future development, said Zhu Naizheng, art professor with the Central Academy of Fine Arts.

 

And only when put under focused discussion can Chinese artists find the right approaches to deal with issues related to traditional Chinese forms, he said.

 

(China Daily December 20, 2003)

Japanese Youth Feast on Traditional Chinese Culture
Shanxi Calligraphy Hits Beijing
Sino-Japanese Calligraphy on Show in Zhejiang
First Chinese Painting Industry Forum Begins in Hangzhou
Philosophy Carved in Wood
Fine Arts Show Comes Online
Print This Page
|
Email This Page
About Us SiteMap Feedback
Copyright © China Internet Information Center. All Rights Reserved
E-mail: webmaster@china.org.cn Tel: 86-10-68326688
主站蜘蛛池模板: 97精品国产高清自在线看超| 无码人妻一区二区三区在线 | 久久午夜国产电影| 粗大挺进尤物人妻中文字幕| 怡红院在线观看视频| 亚洲国产成人久久综合碰 | 免费人成黄页在线观看视频国产| 欧美又粗又长又爽做受| 女网址www女高清中国| 久久精品加勒比中文字幕 | 国产白白视频在线观看2| 一本大道久久东京热无码AV| 最近中文字幕免费mv视频7| 伊人色综合一区二区三区| 香蕉大战欧美在线看黑人| 在线播放免费人成视频在线观看| 亚洲欧美一区二区三区| 自拍偷拍国语对白| 国产精品免费无遮挡无码永久视频| 一级做一级爱a做片性视频视频| 欧美XXXX黑人又粗又长精品| 免费人成在线观看视频高潮| 网友自拍区一区二区三区| 国产成人久久综合热| 9999国产精品欧美久久久久久| 好吊妞欧美视频免费高清| 三级中文有码中文字幕| 日韩大片免费看| 亚洲欧美在线观看一区二区| 精品视频香蕉尹人在线| 国产成人女人毛片视频在线| 97久久精品人妻人人搡人人玩| 成年网站在线看| 久香草视频在线观看| 波多野结衣伦理片bd高清在线| 啊灬啊别停灬用力啊老师网站| 免费黄色福利视频| 国内精品伊人久久久久网站| 成人精品视频一区二区三区| 久久精品国产亚洲av高清漫画| 最近免费中文字幕大全免费版视频|