Cui Xiuqin, a 46-year-old woman cycled straight to the
China-Japan Friendship Hospital of Beijing on hearing the news on
TV at midday yesterday.
She had just learnt that Ma Ji, 72, one of the most famous
performers of xiangsheng, or comic cross-talk, had died yesterday
morning of heart disease.
She did not know what she would see at the hospital, but wanted
to pay her respects to her favourite artist.
"This is the biggest news today," said Cui. "I have been
listening to Ma's xiangsheng for decades. The news came as such a
shock, I feel so sad."
At 9:39 am yesterday, the Beijing Emergency Medical Centre
received a call saying that Ma was having a heart attack. When the
team arrived at Ma's home in northern Beijing, the performer was
found slumped on the toilet in a critical condition.
Within 10 minutes, the emergency team had got Ma to the
Tiantongyuan Branch of the Chinese Medicine Hospital of Changping
District. But by 10 pm, Ma was dead. The cause of death was a heart
attack. At around 11:30 am, Ma's body was taken to the China-Japan
Friendship Hospital.
Famous xiangsheng performer Jiang Kun, one of Ma's students,
carried his body off the ambulance and into the hospital. With
tears in his eyes, he described how the speed at which Ma's death
was reported, reflected his place in people's hearts.
Other xiangsheng performers, including Yang Shaohua and Meng
Fangui also turned up at the hospital to discuss plans for Ma's
funeral.
On the Internet, numerous netizens penned messages to express
their sadness at Ma's passing.
"Ma condemned evil and praised the moral in a light-hearted and
pleasant way. That's why I liked his xiangsheng," said a netizen
called Yan Zhi on the website www.xiangsheng.org.
Ma was a student of the late xiangsheng master Hou Baolin
(1917-93). He not only inherited Hou's character, but also
developed his own style. Ma was known for his performances of
xiangsheng that referred to modern day China, and he became a key
figure in the development of xiangsheng after the founding of New
China.
He started his career in the 1950s, when xiangsheng was one of
the few forms of entertainment sanctioned for the public. In those
days it was common for whole families to sit around a radio to
listen to and laugh at xiangsheng performances. Ma's image and
signature jokes became etched in the minds of the nation when TV
became popular with Chinese households. Ma was host of the most
watched Spring Festival TV programme on CCTV for three years.
According to a survey by Sina, his most popular xiangsheng work
was "Five Sense Organs Contending for Merits"(Wuguan Zhenggong). In
this xiangsheng performed by six people, Ma as the head was grilled
by five men playing the five sense organs for not giving them due
merit. The fable-like work satirized people who chase fame.
In recent years, Ma devoted mostly to teaching xiangsheng and
arranging xiangsheng works. As recently as early October he
appeared at the third CCTV Xiangsheng Competition as a juror.
Ma was also a calligrapher. His calligraphy can be seen
inscribed on the board of the "Weekend Xiangsheng Club" and "Deyun
Society," two of the most popular xiangsheng venues in Beijing.
"The news of Ma's passing is unexpected and sad," said leader of
"Deyun Society," well-known xiangsheng performer Guo Degang, who
was in Tianjin when he heard the news. "I will go back to Beijing
as soon as possible to take part in farewell activities for
Ma."
(China Daily December 21, 2006)