"The greatest contribution of The Youth Version of The Peony
Pavilion, which will leave an important chapter in the history
of Kunqu Opera, is to have won back young audience,"
acclaimed Kunqu artist Wang Shiyu.
The Youth Version of The Peony Pavilion, a production of
Suzhou Kunqu Opera Theater of Jiangsu, will be on stage for
a nine-hour performance over three days from June 5 to 7 at Hong
Kong Cultural Center. As the general director of the play, Wang
shared his conception and experience with local fans Friday
evening.
Regarded as "the mother of all operas", Kunqu has a long
history of over 500 years and is one of China's extant oldest
dramatic forms. It was listed as one of the 19 inaugural
"Masterpieces of Oral and Intangible Heritage of Humanity" by
UNESCO in 2001.
However, it is in danger of being phased out because the artists
are aging, so is their audience. In order to attract young
audience, Wang hoped to meld ancient and 21st-century aesthetics in
producing a Youth Version of the best-known Kunqu classic -
The Peony Pavilion.
"The first work we have to do is to produce a concise script
from the original one which consists of 55 highlights and would
last 10 whole days and nights to perform. It is obviously
impossible for contemporary people living in a speeded life to
enjoy the complete set," Wang said.
The concision is largely based on one word - Love. The Peony
Pavilion, as Wang regarded, is essentially a eulogy on love -
the leading roles in the play Liu Mengmei and Du Liniang die for
love and are reborn for love, leaving a most romantic story in the
Chinese literature just like Romeo and Juliet in the British drama
history.
By cutting out all else, Wang kept every plot related to the two
leading roles while producing the script. There comes the present
version which consists of three parts and lasts nine-hour
performance.
"The length is acceptable, and of course maintains all classic
highlights," Wang said.
Another keynote for the Youth Version is "beauty". "From
lightening, costume to stage design, we did our utmost to make it
beautiful. In other words, we clothe a traditional opera in a
modern garb," Wang said. As for the leading actor and actress, they
were chosen as if from a "beauty competition". Even mass performers
should be beautiful and similar in height.
"In the old days, people enjoyed opera with ears, but now they
will keep their eyes wide open because every scene of the Youth
Version is an aesthetic enjoyment," Wang said.
The Youth Version also made some adjustments in character
building. Taking Liu Mengmei as an example. Unlike an
over-sentimental, introversive gentleman in the traditional play,
Liu in the Youth Version is more open and unconventional, which
adapts better to the contemporary taste.
"The original version is predominated by the performance of Du
Liniang with Liu as a supporting role. We add more performance for
Liu in the Youth Version so that the story appears more balanced
and vivid," Wang said.
Since premiering in Taipei at the end of April 2004, The Youth
Version of The Peony Pavilion, which was produced by
internationally acclaimed Taiwan writer Pai Hsien-yung, has played
to full houses in Hong Kong, Macao, Suzhou, Hangzhou, Beijing,
Tianjin and Foshan. Over the past two years, nearly all its 72
performances were sell-outs. Feedback, especially from the younger
audience, is overwhelming.
"To let Kunqu live on, it is not a task exclusive for
performers. We also need audience of new generation. An art is no
promising without younger audience. The Youth Version has caused a
sensation in the youngsters, which is our greatest success," Wang
said.
(Xinhua News Agency June 3, 2006)
