The name of Li Zijian, a US-based Chinese artist, is not new to
Chinese who are interested in arts and humanity as his works, with
the themes of humanity and love, have moved lots of people,
especially his historic painting of Nanjing Massacre.
Last month, Li came back to China and visited eight major cities
including Beijing, Changsha, Shanghai, Nanjing and Shenzhen to
promote his autobiography The Paladin of Art. Both the
artist and his autobiography have met warm response in these cities
because people respect this artist for his adherence to purity,
beauty, justice and love, as well as his perseverance in the
pursuit of art.
Li wrote this book with a pseudonym of "Chijian." "I prefer this
pseudonym. Chijian means running steadily, which can best show both
my character and experience," said Li.
In fact, Li is a steady man whether in his pursuit of art, or
his insistence on humanity and love.
Born in the city of Shaoyang in Hunan
Province in 1954, Li began to learn painting when he was 15. At
that time, Li's father was put into prison for political reasons.
Li never gave up his passion for art even though sometimes he had
to earn money to help his mother support the family. He graduated
from the Oil Painting Department of the Guangzhou Academy of Fine
Arts in 1982 and moved to Los Angeles in 1988.
When Li first began his life in Los Angeles, everything was far
from what he had expected -- he had to learn English and make a
living first. For quite a long time, he had to paint for money
instead of creating the works he wanted. Although life was hard,
this strong-willed man never lost heart.
In 1991, he met Master Xing Yun, a Buddhist monk. With the
financial and spiritual support of the master, Li plumbed the
depths of his mind to create a great series of oil paintings in
realistic style, filled with humanity and love.
Although having lived in the United States for nearly 17 years,
Li always concentrated his paintings on the native customs and
people in China, especially those in his hometown. "The culture of
my native Hunan has made a deep influence on me. All simple and
ancient buildings, rivers and the people in my hometown are endless
source for my creation of works," said Li.
Having lived through poverty and various hardships, Li has
emerged as an artist who is now a recognized master in his field.
Throughout his painting career of over 30 years, Li has
consistently adhered to an artistic spirit of simplicity and
sincerity. His deep and solid artistic substance, his enriching and
at times uncertain life experiences and his hard work and
unaffected character have led him to create his own artistic style
which contains purity, beauty, and goodness.
Li has created a series of paintings on the subject of "Humanity
and Love" during the past 14 years. Since 1992, Li has held "Li
Zijian World Tour Exhibition: Humanity and Love" in more than 20
countries and regions around the world. More than 1,500,000 people
have visited these shows to see more than 100 masterpieces selected
by the artist.
The artistic power and spiritual tension in Li's works have
overcome millions of people from different walks of life,
especially his best known masterpiece "Nanjing Massacre." Kofi
Annan, secretary general of the United Nations, once praised Li for
his "great gift" and called Li's exhibition "a tribute to your art
and your country."
Unlike most of his works themed with calmness and beauty,
"Nanjing Massacre" shocks every viewer: a little boy cries among a
pile of dead bodies while a sad monk collects a corpse, with two
Japanese invaders laughing with a bayonet still shines with
blood.
Li's "Nanjing Massacre" has met warm response but also
rejections and even threat from some Japanese who refused to
acknowledge the history. But Li insisted putting this painting in
all his exhibitions. "I will continue doing this because that's my
responsibility to let the world know the true history of the
Nanjing Massacre," said Li calmly.
(Shenzhen Daily October 11, 2005)
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