The Galleria Borghese of Rome, one of the world's leading museums, is hosting till Jan. 14 the unique painting exhibition "Caravaggio-Bacon."

Caravaggio is one of most profound and revolutionary 16th century Italian painter, while English artist Francis Bacon is a 20th century Expressionist artist deeply influenced by Surrealism.

The occasion for a joint exhibition of their works by the Galleria is the celebration of two concurrent dates: the quarter-centenary of Caravaggio's death and Francis Bacon's birth centenary which fall this year.

The "Caravaggio-Bacon" exhibition is the fourth of a series of 10 that Rome's Galleria Borghese is staging. It follows ones of the great Renaissance artists Raffaello, Canova and Correggio.

There are 13 works of Caravaggio on display and 17 of Bacon, most of which coming from the Tate Art Gallery of London. The curators of the exposition are Anna Coliva, director of the Galleria, and Michael Peppiatt, a biographer, intimate friend, and leading connoisseur of Francis Bacon.

On Wednesday evening the gallery invited the foreign press to admire the exhibition. Italian Culture Minister Sandro Bondi and Undersecretary of State Paolo Bonaiuti attended the event.

"The Galleria Borghese is one of the artistic temples of our country and Italian culture is one of the main reasons why Italy is admired worldwide," Bondi said.

He added that the government was working hard to make Italy's cultural heritage become an instrument for civil, social, democratic growth and not only economic growth.

Bonaiuti stressed the importance of culture as "the key to Italian tradition, society and way of being."

Coliva said the event was an occasion to present the historic collections of the Galleria Borghese through an unusual artistic juxtaposition.

"Caravaggio and Bacon are 400 years apart from one another but what links them is a spiritual relation based on a deep suffering for the human condition and an internal sense of devastation," Coliva told Xinhua.

She explained how these two extreme figures have entered the collective imagination as "accused" artists, who expressed the torment of existence in their painting with equal intensity and creative brilliance.

Coliva said that both are painters of truth. While Caravaggio distorts the artistic formal vision rooted in Humanism by dealing with human figures as objective facts, Bacon expresses the loss of centrality of vision by mixing the unconscious with reality.

However, the goal of the joint exposition is not to theorize an influence of Caravaggio on Bacon. "There is nothing of Caravaggio in Bacon, who was not inspired by him, but if there is a contemporary artist who is comparable to Caravaggio it is indeed Bacon. Caravaggio and Bacon are among the deepest and most revolutionary interpreters of the representation of the human figure," added Coliva.

Michael Peppiatt underlined how both artists were obsessed by the human body and by the uncertainty of life. "It's an emotional impact that links the two together, they're like mirrors," he told Xinhua.

The exhibition is a meeting between these two extraordinary artists and you can nearly sense an electric current uniting them, he said, adding how both Caravaggio and Bacon "are very extreme in showing the fragility and vulnerability of human life."

"For Francis Bacon, one of the most anguished 20th century artists, being received at the Galleria Borghese is of great importance," Peppiatt said. "Bacon's breakaway from tradition is healed today through his presence in this gallery."

Bondi also said the original juxtaposition Caravaggio-Bacon helped to better understand art in all its different variations by "leading the public inside our museums to discover our great artists."

Caravaggio (1571-1610) was active in Rome (where he painted for the Pope), Naples and Malta. He had a very tormented life and was accused of murder. His intensely emotional realism and dramatic use of lighting make him a founder of modern painting.

Francis Bacon (1909-1992), just like Caravaggio, was an anguished painter. The subjects of his paintings scream in physical and psychic pain. He depicts contorted and corrupted human and animal forms. Many of Bacon's works appear as nightmares.

The Galleria Borghese, a magnificent villa in the historical center of Rome, was completed in 1620 on Pope Paolo V Borghese's commission. It hosts some of humanity's greatest works of arts such as sculptures by Gian Lorenzo Bernini and paintings by Il Canaletto and Piero della Francesca.