Maggie Cheung, long a favorite subject of gossip, gave her fans
yet another juicy topic of conversation Saturday after winning the
Best Actress Award at this year's Cannes
Film Festival. Cheung won for her role in Clean by
director Olivier Assayas about Emily, a mother who tries to kick
her drug habit and reconcile with her long-lost son.
"It's really an incredible time in my life," Maggie Cheung said
during the award ceremony.
With many roles to her credit in a career spanning nearly two
decades, Cheung said that the role of Emily was a challenge.
"It was difficult to play but not the most difficult technically
speaking," she said at the press conference during the festival.
"It was difficult because it was painful.
"Other directors might let me play other roles, like that of a
junkie, but only Olivier trusted me enough to play it as I
felt."
Clean tells the story of Emily, the widow of a rock
star killed by an overdose, who is trying to rebuild her life. When
she gets out of prison, where she was being held on drugs charges,
Emily is determined to get her son back from her
parents-in-law.
"She discovers herself when she frees herself of everything that
is imagined about her," explains director Olivier Assayas. "I
wanted to make a film carried by faith in the idea that people can
change."
Around Maggie Cheung, the muse of Asian cinema--and the
filmmaker's ex-wife--Assayas has brought together an international
cast including Nick Nolte, Beatrice Dalle, Jeanne Balibar and
rapper Tricky, who plays himself.
"I knew I would have the lead role even before the script was
written," Cheung said. "Working with Olivier is like working with
an old friend. Different than other directors who have a certain
image of me, Olivier really knows who I am."
For Cheung's fans, the best actress award at Cannes Festival is
pleasant but not a surprise.
Many are simply infatuated with Maggie Cheung Man-Yuk, best
known to Western audiences for her role as Jackie Chan's
ever-suffering girlfriend May in the popular Police Story
series.
Born in Hong Kong in 1964, she emigrated to England with her
family when she was eight, but she returned to Hong Kong in 1981 to
pursue a career in modeling. In 1983, she was runner-up in the Miss
Hong Kong contest and also appeared in the Miss World pageant,
which led to a contract with TVB, the television arm of the Shaw
Bros. studio.
It was during one of her TVB appearances that she caught Jackie
Chan's eye.
"She wouldn't mind me kicking her down a flight of stairs," he
thought at the time.
Chan cast Cheung as May in Police Story (1985), which
turned out to be a huge hit and made her a star almost
overnight.
However, Cheung sought to break out of her stereotypical role as
the weak and clumsy May by taking more dramatic roles.
Her work with noted director Wong Kar-Wai garnered critical
praise, first in 1988 with As Tears Go By and then in 1990
with Days of Being Wild. She also won a Best Actress Award
the same year at Taipei's Golden Horse Festival for her work in
Full Moon in New York.
In 1991, she became the first Chinese performer to win a Best
Actress Award at the prestigious Berlin Film Festival, for
Center Stage.
Cheung did not forget where she got her start though, and in
1992 she returned to work with Jackie Chan in Police Story
3: Super Cop, where she once again reprised the role of
May, this time being upstaged not by Chan, but by Michelle
Yeoh.
Cheung got a little revenge in the sci-fi martial arts smash hit
Heroic Trio (1992) and its sequel Executioners
(1993), where she proved she could be more than just a punching bag
in an action movie, impressing both critics and audiences with her
martial arts skills as she stood toe-to-toe with Yeoh.
However, Cheung's busy schedule eventually began to take its
toll. Not only was she shooting several films a year, but also the
Hong Kong tabloid press began hounding her incessantly. In 1994,
she took a break from making films, during which time wild rumors
about her began cropping up in the Hong Kong press.
By then, Cheung had reached the age when most Hong Kong
actresses retire or move to singing or television and most people
thought Cheung would never work in films again.
However, she returned in 1996, completing several movies such as
Irma Vep and The Chinese Box (both 1997).
She now spends most of her time in France.
Cheung won critical acclaim and a Taiwanese Golden Horse award
for her role in art house darling Wong Kar-Wai's In the Mood
for Love (2000).
(China Daily May 24, 2004)